{"id":16856,"date":"2021-10-01T11:28:39","date_gmt":"2021-10-01T02:28:39","guid":{"rendered":"https:\/\/tokyoartbookfair.com\/exhibitions\/16856\/"},"modified":"2021-10-19T13:51:05","modified_gmt":"2021-10-19T04:51:05","slug":"online%e2%86%94offline%ef%bc%9aart-book-vending-machine","status":"publish","type":"exhibitions","link":"https:\/\/tokyoartbookfair.com\/2021\/en\/exhibitions\/16856\/","title":{"rendered":"ONLINE \/ OFFLINE\uff1aART BOOK VENDING MACHINE"},"content":{"rendered":"<p><img src=\"https:\/\/tokyoartbookfair.com\/2021\/wp-content\/uploads\/2021\/10\/s-TABFg_0563.jpg\" alt=\"\" class=\"post-img\" \/><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">The TABF began hosting Guest Country, a segment that focuses on the publishing culture of a certain country or region, annually onward from 2015. This year, however, we\u2019re doing things differently; with the onset of the pandemic, we are left with fewer opportunities to view and interact with art books and zines from abroad. So instead of narrowing our sights onto a particular region, we will instead be bringing together art publications from around the globe. The Offline Venue at the Museum of Contemporary Art Tokyo will also feature the ART BOOK VENDING MACHINE (ABVM), a vast vending machine for art books, while concurrently exhibiting and selling art books and zines published onward from 2019 by Online Venue exhibitors operating overseas.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p>Participants<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\"><a href=\"https:\/\/www.alliedforcespress.com\">Allied Forces Press<\/a> (USA)<\/span><\/p>\n<p><span style=\"font-weight: 400;\"><a href=\"https:\/\/www.apartamentomagazine.com\/\">Apartamento<\/a> (SPAIN)<\/span><\/p>\n<p><span style=\"font-weight: 400;\"><a href=\"https:\/\/artpapereditions.org\">Art Paper Editions (<\/a>BELGIUM)<\/span><\/p>\n<p><span style=\"font-weight: 400;\"><a href=\"http:\/\/awkwardladiesclub.com\/\">Awkward Ladies Club<\/a> (USA)<\/span><\/p>\n<p><span style=\"font-weight: 400;\"><a href=\"https:\/\/blaablaa.no\/\">Bl\u00e5Bl\u00e5<\/a> (NORWAY)<\/span><\/p>\n<p><span style=\"font-weight: 400;\"><a href=\"https:\/\/www.blumandpoe.com\/\">Blum &amp; Poe<\/a> (USA)<\/span><\/p>\n<p><span style=\"font-weight: 400;\"><a href=\"https:\/\/buildingfictions.com\/\">Building Fictions<\/a> (NETHERLANDS)<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Camille Perrier Little (FRANCE)<\/span><\/p>\n<p><span style=\"font-weight: 400;\"><a href=\"https:\/\/becapricious.com\/\">Capricious Publishing<\/a> (USA)<\/span><\/p>\n<p><span style=\"font-weight: 400;\"><a href=\"https:\/\/ceseditions.com\/\">ces e\u0301ditions<\/a> (FRANCE)<\/span><\/p>\n<p><span style=\"font-weight: 400;\"><a href=\"https:\/\/chosecommune.com\/\">Chose Commune<\/a> (FRANCE)<\/span><\/p>\n<p><span style=\"font-weight: 400;\"><a href=\"https:\/\/www.dentdeleone.com\">Dent-De-Leone<\/a> (UK)<\/span><\/p>\n<p><span style=\"font-weight: 400;\"><a href=\"https:\/\/www.erikkessels.com\">Erik Kessels<\/a> (NETHERLANDS)<\/span><\/p>\n<p><span style=\"font-weight: 400;\"><a href=\"https:\/\/handowinhe.com\/zines\/\">Funky Zine Forest<\/a> (HONG KONG\/CHINA)<\/span><\/p>\n<p><span style=\"font-weight: 400;\"><a href=\"https:\/\/fw-books.nl\/home\/\">Fw: Books<\/a> (NETHERLANDS)<\/span><\/p>\n<p><span style=\"font-weight: 400;\"><a href=\"http:\/\/www.hangtamphoto.com\">Hang Tam \u8b5a\u660c\u6052<\/a> (HONG KONG)<\/span><\/p>\n<p><span style=\"font-weight: 400;\"><a href=\"https:\/\/hotampress.com\">Hotam Press<\/a> (CANADA)<\/span><\/p>\n<p><span style=\"font-weight: 400;\"><a href=\"http:\/\/hrrworld.com\/\">Hororoworld<\/a> (SOUTH KOREA)<\/span><\/p>\n<p><span style=\"font-weight: 400;\"><a href=\"https:\/\/hoca.paulaminelgaite.com\/\">House of Common Affairs<\/a> (UK)<\/span><\/p>\n<p><span style=\"font-weight: 400;\"><a href=\"ttps:\/\/www.immaterialbooks.com\">Immaterial Books<\/a> (USA)<\/span><\/p>\n<p><span style=\"font-weight: 400;\"><a href=\"https:\/\/in-other-words.co.uk\">InOtherWords<\/a> (UK)<\/span><\/p>\n<p><span style=\"font-weight: 400;\"><a href=\"http:\/\/www.jessiechurchill.com\">Jessie Churchill<\/a> (UK)<\/span><\/p>\n<p><span style=\"font-weight: 400;\"><a href=\"https:\/\/www.instagram.com\/wanhuatongbooks\/\">KaleidoscopeBooks<\/a> (CHINA)<\/span><\/p>\n<p><span style=\"font-weight: 400;\"><a href=\"https:\/\/mngyuan.com\">Kevin Lee \u674e\u5922\u9060<\/a> (USA)<\/span><\/p>\n<p><span style=\"font-weight: 400;\"><a href=\"https:\/\/www.lars-mueller-publishers.com\/\">Lars M\u00fcller Publishers<\/a> (SWITZERLAND)<\/span><\/p>\n<p><span style=\"font-weight: 400;\"><a href=\"https:\/\/www.libraryman.se\/\">Libraryman<\/a> (BELGIUM)<\/span><\/p>\n<p><span style=\"font-weight: 400;\"><a href=\"https:\/\/loosejoints.biz\/\">Loose Joints<\/a> (UK\/FRANCE)<\/span><\/p>\n<p><span style=\"font-weight: 400;\"><a href=\"https:\/\/mackbooks.co.uk\/\">MACK<\/a> (UK)<\/span><\/p>\n<p><span style=\"font-weight: 400;\"><a href=\"http:\/\/mono-kultur.com\/news\">mono.kultur<\/a> (Germany)<\/span><\/p>\n<p><span style=\"font-weight: 400;\"><a href=\"https:\/\/neurofuzzy.bigcartel.com\">Neuro Fuzzy Press<\/a> (USA\/MEXICO)<\/span><\/p>\n<p><span style=\"font-weight: 400;\"><a href=\"https:\/\/www.nieves.ch\">Nieves<\/a> (SWITZERLAND)<\/span><\/p>\n<p><span style=\"font-weight: 400;\"><a href=\"https:\/\/www.instagram.com\/nowwe__\/\">NOWWE<\/a> (SOUTH KOREA)<\/span><\/p>\n<p><span style=\"font-weight: 400;\"><a href=\"https:\/\/pelinubooks.com\/\">PELINU BOOKS<\/a> (ROMANIA)<\/span><\/p>\n<p><span style=\"font-weight: 400;\"><a href=\"https:\/\/www.plastikcombmag.com\/\">Plastikcomb Magazine<\/a> (USA)<\/span><\/p>\n<p><span style=\"font-weight: 400;\"><a href=\"https:\/\/praun-guermouche.com\">Praun &amp; Guermouche<\/a> (SWEDEN)<\/span><\/p>\n<p><span style=\"font-weight: 400;\"><a href=\"https:\/\/memoryholes.net\">rotem of qiryat gat<\/a> (ISRAEL)<\/span><\/p>\n<p><span style=\"font-weight: 400;\"><a href=\"http:\/\/graphicdesignarnhem.nl\/rushprint\">Rush Print<\/a> (NETHERLANDS)<\/span><\/p>\n<p><span style=\"font-weight: 400;\"><a href=\"https:\/\/www.seatonstreetpress.com\/\">Seaton Street Press<\/a> (USA)<\/span><\/p>\n<p><span style=\"font-weight: 400;\"><a href=\"https:\/\/Jasminec.net\">TJM Edition<\/a> (UK\/CHINA\/SINGAPORE\/USA)<\/span><\/p>\n<p><span style=\"font-weight: 400;\"><a href=\"https:\/\/www.vincentdalbera.com\/\">Vincent Dalbera<\/a> (FRANCE)<\/span><\/p>\n<p><span style=\"font-weight: 400;\"><a href=\"https:\/\/shop.yvon-lambert.com\/\">Yvon Lambert<\/a> (FRANCE)<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The TABF began hosting Guest Country, a segment that focuses on the publishing culture of a certain country or region, annually onward from 2015. This year, however, we\u2019re doing things differently; with the onset of the pandemic, we are left with\u2026","protected":false},"featured_media":16848,"parent":0,"template":"","terms":[],"_links":{"self":[{"href":"https:\/\/tokyoartbookfair.com\/2021\/en\/wp-json\/wp\/v2\/exhibitions\/16856"}],"collection":[{"href":"https:\/\/tokyoartbookfair.com\/2021\/en\/wp-json\/wp\/v2\/exhibitions"}],"about":[{"href":"https:\/\/tokyoartbookfair.com\/2021\/en\/wp-json\/wp\/v2\/types\/exhibitions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tokyoartbookfair.com\/2021\/en\/wp-json\/wp\/v2\/media\/16848"}],"wp:attachment":[{"href":"https:\/\/tokyoartbookfair.com\/2021\/en\/wp-json\/wp\/v2\/media?parent=16856"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}